夜行客HD

• HD中字
• DVD

• 已完结

  风流女探[电影解说]

• HD

  谋杀干预组3

• HD

  寡妇游戏

• HD

  歹徒们

• HD中字

  无声无息

• HD中字

  逆风女车神

• HD

  夜行客

• HD

  杀人狂魔

• 已完结

  迷离悬案：止痛药谋杀事件

• HD

  种子

• HD

  向阳·花

• HD

  室井慎次 继续生活之人

Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”

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